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AuthorKeim, Frankdc.contributor.author
Date of accession2018-07-20T09:12:57Zdc.date.accessioned
Available in OPARU since2018-07-20T09:12:57Zdc.date.available
Date of first publication2018-07-20dc.date.issued
AbstractOn November 15 2017 the painting Salvator Mundi („Savior of the World“) attributed to Leonardo at a Christie’s auction was sold for the price of $400 million, the highest price ever paid for a work of art. This paper will argue what constitutes the actual value of the masterpiece. Albrecht Duerer’s unfinished Salvator Mundi was created between 1502 and 1504. A thorough check of the painting gave insight that Duerer discovered Jupiter’s large moons in the same period of time as Leonardo and Giorgione. Together with the latter he even discovered a third moon: Europa.- In the second chapter it is shown how Leonardo’s successors took on and modified his work. The copies by Giampietrino, da Sesto and Luini will be analyzed. Leonardo exerted an influence on Carpaccio’s Salvator, which considers the possibility of a „moving“ earth. The hypothesis that there are four satellites of Jupiter became an irrevocable certainty.dc.description.abstract
AbstractSommario/abstract. Il 15 novembre 2017 il “Salvator Mundi”, attribuito a Leonardo, è venduto alla cifra record di 400 milioni di dollari all’asta da Cristie’s, il prezzo più alto mai pagato per un’opera d’arte. Il saggio seguente esamina l’intrinseco valore di questo capolavoro. Il Salvator Mundi incompiuto di Dürer fu terminato tra il 1502 e il 1504. La perizia di questo quadro ha rivelato che Dürer ha scoperto quasi contemporaneamente con Leonardo e Giorgione le lune maggiori di Giove. Assieme a quest’ultimo trovò anche una terza luna, cioè Europa. Il secondo capitolo è dedicato alla questione come i suoi successori continuavano e modificavano il suo lavoro. Le copie di Giampietrino, Luini e da Sesto e saranno analizzate. Leonardo ha anche ispirato il “Salvator” di Carpaccio che suggerisce la possibilità di una terra che si muove. L’ipotesi dei quattro trabanti di Giove diventa verità assoluta (translated by Ms Dr. Monika Kautenburger, Ulm/Germany).dc.description.abstract
Languageendc.language.iso
PublisherUniversität Ulmdc.publisher
LicenseStandarddc.rights
Link to license texthttps://oparu.uni-ulm.de/xmlui/license_v3dc.rights.uri
KeywordLuini, Bernardinodc.subject
KeywordGiampietrinodc.subject
KeywordSesto, Cesare dadc.subject
KeywordCarpaccio, Vittoredc.subject
KeywordSimboli delle arti liberali e meccanichedc.subject
KeywordRosenkranzfestdc.subject
Dewey Decimal GroupDDC 520 / Astronomydc.subject.ddc
Dewey Decimal GroupDDC 700 / Artsdc.subject.ddc
LCSHArt, Renaissancedc.subject.lcsh
LCSHAstronomy in artdc.subject.lcsh
LCSHAstronomy; 16th centurydc.subject.lcsh
LCSHJupiter (Planet); Satellitesdc.subject.lcsh
LCSHGiorgione 1477-1511dc.subject.lcsh
LCSHDürer, Albrecht 1471-1528dc.subject.lcsh
LCSHLeonardo, da Vinci 1452-1519dc.subject.lcsh
TitleSalvator Mundi: The discovery of the JUPITER Satellites by Giorgione, Leonardo and Dürerdc.title
Resource typeWissenschaftlicher Beitragdc.type
DOIhttp://dx.doi.org/10.18725/OPARU-8314dc.identifier.doi
URNhttp://nbn-resolving.de/urn:nbn:de:bsz:289-oparu-8371-5dc.identifier.urn
GNDRenaissancedc.subject.gnd
GNDSalvator mundidc.subject.gnd
DCMI TypeTextuulm.typeDCMI
CategoryPublikationenuulm.category
Is Supplement Tohttp://dx.doi.org/10.18725/OPARU-5423dc.relation.isSupplementTo


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